Italian Rationalism

イタリア合理主義 / 1926–1943 / Style / Modern Architecture

근대 건축의 추상과 지중해의 고전을 동시에 성립시키려 한 이탈리아의 운동. 흰 상자처럼 보이지만 실제로는 기둥 간격의 율동과 깊은 차양, 대리석 면이 고대의 비례를 떠맡고 있다. 근대와 전통을 대립시키지 않는 풀이법의 교과서.

흰 덩어리와 규칙적인 기둥 간격 / 깊은 차양과 그림자의 띠 / 대리석과 유리의 대비 / 고전 비례의 번안

사전 항목

적합한 용도: Architectural and interior identity that must feel contemporary and rooted at once, for hotels, cultural buildings and heritage brands · Grid design, where the rhythm of bays translates directly into a column structure that stays classical while reading as modern
타이포그래피: A geometric sans set to the same module as the bays, with the leading derived from the same proportion.
구성: A strict frontal grid whose bays are equal and whose voids are not, so that the rhythm is regular and the reading is not.
재료: White render against polished marble and plate glass, with reveals deep enough to cast a real shadow line.
주의: Keeping the white box and dropping the proportion: without the underlying ratios it is generic modernism, and the whole argument of these buildings was that the ratios were still present.
더 읽을거리: Terragni's Casa del Fascio / The programme of Gruppo 7 / The history of its assessment as architecture of the regime