{"id":"lettrism","no":428,"name":"Lettrism","ja":"レトリスム","era":"1946–1970s","family":"実験タイポグラフィ","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Monoskop — Lettrism","url":"https://monoskop.org/Lettrism"},"reference":{"status":"verified","pageUrl":"https://monoskop.org/Lettrism","credit":"Monoskop — Lettrism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/GrammeS%20-%20inside%20page.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:GrammeS%20-%20inside%20page.jpg","credit":"『grammeS』ウルトラ・レトリスト・グループ機関誌 内頁 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/GrammeS%20-%20Ultra%20Lettrist%20hypergraphics.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:GrammeS%20-%20Ultra%20Lettrist%20hypergraphics.jpg","credit":"『grammeS』掲載 引き裂かれたポスターのハイパーグラフィー 1954年 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Brown-man.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Brown-man.jpg","credit":"タエ・アテ ハイパーグラフィー絵画 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"文字を意味を運ぶ道具から解放し、音と形そのものを作品の素材とみなしたパリ発の運動。読めない文字が敷き詰められた画面、記号の増殖するハイパーグラフィー、映画のフィルムへの直接刻印まで、文字を物質として扱う実験を広げた。","cues":["読解できない文字の敷き詰め","手書きと活字の混在","記号の増殖するハイパーグラフィー","文字を絵画素材として扱う"],"intents":["反骨","技術"],"works":["実験的な書体見本やタイトル映像を、文字の肌理だけで組み立てるとき","音楽や詩の周辺の印刷物や装丁を、読ませずに文字の密度で見せるとき"],"recipe":{"type":"既存の文字と自作の記号を混ぜ、単語を作らずに並べる","layout":"余白を残さず紙面全体を記号で埋め、方向も揃えない","material":"手書き、活字、引っ掻きを同じ面に重ねて物質感を出す"},"avoid":"読めない文字を装飾として並べるだけでは主張が消えて模様に落ちる。逆に読める語を一つ残せば、意味を宙吊りにするという狙いが戻ってしまう。","colors":["#c3c7c4","#ba8868","#37302f"],"motif":"graphic","pair":["concrete-poetry","dada"],"study":["イジドール・イズーの理論","ハイパーグラフィーの定義","シチュアシオニストへの分岐"],"en":{"essence":"A Paris-born movement that freed the letter from its duty of carrying meaning, treating sound and shape themselves as the material of the work. From surfaces paved with unreadable characters, to hypergraphy's proliferating signs, to marks scratched directly into film stock, it expanded the experiment of handling letters as physical matter.","cues":["Surfaces paved with unreadable characters","Handwriting mixed with type","Hypergraphy of proliferating signs","Letters handled as painterly material"],"works":["Experimental type specimens and title sequences where letterforms are pure texture","Music and poetry scene printing and covers shown as density rather than reading"],"recipe":{"type":"Invented alphabets, asemic glyphs and salvaged type mixed without hierarchy","layout":"All-over fields of signs with no reading path; density itself is the composition","material":"Ink, paint and scratched film or paper—letters applied as physical marks"},"avoid":"Laying out unreadable letters as decoration alone drops the claim and leaves pattern. One legible word left in the field reinstates the meaning the work exists to suspend.","study":["Isidore Isou's theory","The definition of hypergraphy","The split that led to the Situationists"]},"links":{"page":"https://indexstyle.org/styles/lettrism","json":"https://indexstyle.org/api/styles/lettrism","designSpec":"https://indexstyle.org/styles/lettrism/design.md","imagePrompt":"https://indexstyle.org/styles/lettrism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}