Antropofagia
アントロポファジア / 1928–1930s / Aesthetic / Brazilian Avant-garde
以“食人”为隐喻，主张对欧洲文化不应拒斥、而应吃下去化作自己血液的巴西纲领。把混杂肯定为方法而非弱点的态度，此后一直流淌在巴西的设计、音乐与建筑的底层。
对外来样式的刻意消化 / 与本土图像的混杂 / 被巨大化的身体母题 / 原色与热带的色域
辞典词条
- 适用场景
- Brand work for cultures that import heavily and want to own what they import rather than apologise for it；Cross-cultural campaigns in which the visible seam between a foreign form and a local one is the idea, not a defect
- 字体
- A European display face redrawn until its proportions no longer belong to it.
- 版面
- One swollen, over-scaled figure dominating the field, with the borrowed reference still legible underneath it.
- 材料
- Saturated primaries and tropical greens laid flat, with no atmospheric softening between them.
- 注意
- Treating it as a licence to sample freely: the point is digestion, and a collage that leaves its sources intact is quotation rather than appetite.
- 延伸阅读
- Oswald de Andrade's manifesto of 1928 / Its relation to Tarsila do Amaral's painting / Its inheritance by Tropicália