{"id":"antropofagia","no":494,"name":"Antropofagia","ja":"アントロポファジア","era":"1928–1930s","family":"ブラジル前衛芸術","kind":"世界観","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Manifesto Antropófago","url":"https://en.wikipedia.org/wiki/Manifesto_Antrop%C3%B3fago"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Manifesto_Antrop%C3%B3fago","credit":"Wikipedia — Manifesto Antropófago","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Manifesto%20Antrop%C3%B3fago.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Manifesto%20Antrop%C3%B3fago.jpg","credit":"『食人宣言』1928 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Cannibal%20Manifesto%201.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Cannibal%20Manifesto%201.jpg","credit":"『食人宣言』掲載誌の紙面 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Tarsila%20do%20Amaral%20-%20Retrato%20de%20Antonio%20de%20Toledo%20Piza%2C%20Acervo%20do%20Museu%20Paulista%20da%20USP.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Tarsila%20do%20Amaral%20-%20Retrato%20de%20Antonio%20de%20Toledo%20Piza%2C%20Acervo%20do%20Museu%20Paulista%20da%20USP.jpg","credit":"Tarsila do Amaral《アントニオ・ジ・トレド・ピザの肖像》— Museu Paulista da USP / CC BY-SA 4.0"}]},"essence":"「食人」を隠喩に、ヨーロッパの文化を拒むのではなく食べて自分の血にせよと説いたブラジルの綱領。混淆を弱さではなく方法として肯定する態度は、以後のブラジルのデザイン・音楽・建築の底に流れ続けている。","cues":["外来様式の意図的な消化","土着の図像との混淆","巨大化した身体のモチーフ","原色と熱帯の色域"],"intents":["反骨","遊び","高揚"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["tropicalia","neo-concrete-art"],"study":["オズワルド・ジ・アンドラージの宣言 1928","タルシラの絵画との関係","トロピカリアへの継承"],"en":{"essence":"A Brazilian programme that took cannibalism as its metaphor: do not refuse European culture, eat it and turn it into your own blood. Its affirmation of mixture as a method rather than a weakness has run underneath Brazilian design, music and architecture ever since.","cues":["The deliberate digestion of imported styles","Mixture with indigenous imagery","Motifs of the enlarged body","Primary colours and a tropical range"],"works":["Brand work for cultures that import heavily and want to own what they import rather than apologise for it","Cross-cultural campaigns in which the visible seam between a foreign form and a local one is the idea, not a defect"],"recipe":{"type":"A European display face redrawn until its proportions no longer belong to it.","layout":"One swollen, over-scaled figure dominating the field, with the borrowed reference still legible underneath it.","material":"Saturated primaries and tropical greens laid flat, with no atmospheric softening between them."},"avoid":"Treating it as a licence to sample freely: the point is digestion, and a collage that leaves its sources intact is quotation rather than appetite.","study":["Oswald de Andrade's manifesto of 1928","Its relation to Tarsila do Amaral's painting","Its inheritance by Tropicália"]}}