Antropofagia

アントロポファジア / 1928–1930s / Aesthetic / Brazilian Avant-garde

Programa brasileño que, con la antropofagia como metáfora, no predicaba rechazar la cultura europea sino devorarla y convertirla en sangre propia. Esa afirmación del mestizaje como método, y no como debilidad, sigue corriendo bajo el diseño, la música y la arquitectura brasileños posteriores.

Digestión deliberada de los estilos importados / Mestizaje con la iconografía autóctona / Motivos de cuerpos desmesurados / Colores primarios y gama tropical

『食人宣言』1928 — Wikimedia Commons / CC BY-SA 4.0Tarsila do Amaral《アントニオ・ジ・トレド・ピザの肖像》— Museu Paulista da USP / CC BY-SA 4.0

Entrada del diccionario

Usos idóneos
Brand work for cultures that import heavily and want to own what they import rather than apologise for it · Cross-cultural campaigns in which the visible seam between a foreign form and a local one is the idea, not a defect
Tipografía
A European display face redrawn until its proportions no longer belong to it.
Composición
One swollen, over-scaled figure dominating the field, with the borrowed reference still legible underneath it.
Material
Saturated primaries and tropical greens laid flat, with no atmospheric softening between them.
Precaución
Treating it as a licence to sample freely: the point is digestion, and a collage that leaves its sources intact is quotation rather than appetite.
Para profundizar
Oswald de Andrade's manifesto of 1928 / Its relation to Tarsila do Amaral's painting / Its inheritance by Tropicália

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