Silhouette Animation

シルエット・アニメーション / 1910s– / Technique / Animation Techniques

Silhouette animation moves jointed black card figures one frame at a time on an underlit glass table. The films of Lotte Reiniger joined shadow play, cut paper and cinema into a language that tells through contour and gesture.

Silhouette Animation — AI-generated interpretation 1
AI-generated interpretation, not a reference work
Silhouette Animation — AI-generated interpretation 2
AI-generated interpretation, not a reference work
Silhouette Animation — AI-generated interpretation 3
AI-generated interpretation, not a reference work

At a glance

Visual cues

  • Sharp outer contours enclosing fully black figures and plants
  • Limbs segmented by wire or lead joints
  • Black foregrounds against pale or layered translucent backgrounds
  • Profile gestures exaggerating fingers, chins and garment edges

Best used for

  • Telling fable and myth through posture and outline rather than facial detail
  • Uniting figures, lettering and plants in one black-shape system for title sequences

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Dictionary entry

Type
Cut lettering as solid shapes too, prioritizing open counters and readable contour over fine ornament.
Composition
Turn figures to profile and leave room in the direction of hand, face and movement. Move foreground, middle and pale background as separate layers.
Material
Cut black card, articulate it with small joints, and photograph it on glass lit from below. Layer tissue or translucent material behind it.
Caution
This is not an illustration filled with black. Cuttable contour, articulated joints and transmitted-light layers must form one system of movement.
Further study
Lotte Reiniger / Jointed card figures and underlit glass / The Adventures of Prince Achmed

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