Push Pin Style

プッシュピン・スタイル / 1954–1980s / Style / Illustration Styles

Glaser and Chwast's studio worked as the counterpoint to Swiss rationalism, building an illustration-led eclecticism out of historical styles, comics and popular prints. Fat contours and ornamental planes of color repainted the magazines and records of the 1960s and 70s.

Push Pin Style — AI-generated interpretation 1
AI-generated interpretation, not a reference work
Push Pin Style — Seymour Chwast (Push Pin Studios), Giovanni's Room first edition cover 1956 — Wikimedia Commons / Public domain
Seymour Chwast (Push Pin Studios), Giovanni's Room first edition cover 1956 — Wikimedia Commons / Public domain
Push Pin Style — Milton Glaser, The Graduate first edition cover 1963 — Wikimedia Commons / Public domain
Milton Glaser, The Graduate first edition cover 1963 — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Eclectic historical revival
  • Fat contours, ornamental color
  • Illustration-led composition
  • Wit and quotation

Best used for

  • Magazine feature openers and record sleeves led by the illustration
  • Posters and brand imagery for theatres, bookshops and food that trade on wit

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Dictionary entry

Type
Display faces from the same period as the image, curved to its edge
Composition
Image at the center with type following the gaps it leaves
Material
Flat fields of muted secondary color inside heavy contours
Caution
Choosing a historical style without the wit that justifies it turns quotation into plain nostalgia and makes the eclecticism look like a pile.
Further study
Milton Glaser / Seymour Chwast / the Push Pin Graphic

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https://indexstyle.org/styles/push-pin
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