Neo-grotesque Sans

ネオ・グロテスク / 1957– / Style / Type Classification

The grotesque with its quirks removed and 'neutrality' set as the design goal — the voice of postwar rationalism and the global corporation.

Even, closed letterforms / Low contrast / Large x-height / A voice that performs neutrality

ニューヨーク地下鉄のヘルベチカ標識(CC BY-SA 4.0)ユニバース見本ヘルベチカによる駅名標(CC BY-SA 4.0)

Dictionary entry

Best used for
Comparing primary sources and canonical works · Extracting principles that transfer to other media
Type
Observe the letters, signs and scale of reference works
Composition
Extract the one structure that governs gaze and information
Material
Verify the materials and behaviors specific to era, region and process
Caution
'Neutral' is a design ideology, not a fact. Don't use it as an excuse for blandness; choose it for a reason.
Further study
Max Miedinger and Eduard Hoffmann / Adrian Frutiger, Univers / Swiss typography

Related entries

Source: MoMA — Max Miedinger, Helvetica Bold, 36 point

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