{"id":"neo-grotesque-sans","no":168,"name":"Neo-grotesque Sans","ja":"ネオ・グロテスク","era":"1957–","family":"書体分類","kind":"スタイル","collection":"Dictionary expansion 08","addedAt":"2026-08-18","source":{"title":"MoMA — Max Miedinger, Helvetica Bold, 36 point","url":"https://www.moma.org/collection/works/106768"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/works/106768","credit":"MoMA — Max Miedinger, Helvetica Bold, 36 point","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Kingston%20Ave%20-%20IRT%20Eastern%20Pkwy%3B%20Helvetica%20Sign%20and%20Staircase.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Kingston%20Ave%20-%20IRT%20Eastern%20Pkwy%3B%20Helvetica%20Sign%20and%20Staircase.JPG","credit":"ニューヨーク地下鉄のヘルベチカ標識（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Univers%20Specimen.svg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Univers%20Specimen.svg","credit":"ユニバース見本"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Helvetica%20station%20sign%2C%20Ribnitz-Damgarten%20(20180819%20192440).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Helvetica%20station%20sign%2C%20Ribnitz-Damgarten%20(20180819%20192440).jpg","credit":"ヘルベチカによる駅名標（CC BY-SA 4.0）"}]},"essence":"グロテスクの癖を取り除き「中立」を設計目標に据えた文字で、戦後の合理主義とグローバル企業の声になった。","cues":["均質で閉じた字形","低い線の対比","大きなエックスハイト","中立を装う声"],"intents":["信頼","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"「中立」は設計思想であって事実ではない。無難の言い訳に使わず、選ぶ理由を持って使う。","colors":["#e9e6dd","#67635d","#171615"],"motif":"type","pair":["swiss","grotesque-sans"],"study":["Max Miedinger と Eduard Hoffmann","Adrian Frutiger, Univers","スイス・タイポグラフィ"],"en":{"essence":"The grotesque with its quirks removed and 'neutrality' set as the design goal — the voice of postwar rationalism and the global corporation.","cues":["Even, closed letterforms","Low contrast","Large x-height","A voice that performs neutrality"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"'Neutral' is a design ideology, not a fact. Don't use it as an excuse for blandness; choose it for a reason.","study":["Max Miedinger and Eduard Hoffmann","Adrian Frutiger, Univers","Swiss typography"]}}