{"id":"neo-grotesque-sans","no":144,"name":"Neo-grotesque Sans","ja":"ネオ・グロテスク","era":"1957–","family":"書体分類","kind":"スタイル","collection":"Dictionary expansion 08","addedAt":"2026-08-18","source":{"title":"MoMA — Max Miedinger, Helvetica Bold, 36 point","url":"https://www.moma.org/collection/works/106768"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/works/106768","credit":"MoMA — Max Miedinger, Helvetica Bold, 36 point","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Kingston%20Ave%20-%20IRT%20Eastern%20Pkwy%3B%20Helvetica%20Sign%20and%20Staircase.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Kingston%20Ave%20-%20IRT%20Eastern%20Pkwy%3B%20Helvetica%20Sign%20and%20Staircase.JPG","credit":"ニューヨーク地下鉄のヘルベチカ標識（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Helvetica%20station%20sign%2C%20Ribnitz-Damgarten%20(20180819%20192440).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Helvetica%20station%20sign%2C%20Ribnitz-Damgarten%20(20180819%20192440).jpg","credit":"ヘルベチカによる駅名標（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Univers%2055%20type%20specimen%20(11240610174).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Univers%2055%20type%20specimen%20(11240610174).jpg","credit":"ユニバース55の活字見本 — Wikimedia Commons / CC BY 2.0"}]},"essence":"グロテスクの癖を取り除き「中立」を設計目標に据えた文字で、戦後の合理主義とグローバル企業の声になった。","cues":["均質で閉じた字形","低い線の対比","大きなエックスハイト","中立を装う声"],"intents":["信頼","静けさ"],"works":["企業の帳票や案内表示など、書体自体を目立たせたくない仕事","多言語やウェイトの幅が要る、大規模なシステムの表示"],"recipe":{"type":"字間をわずかに詰めて塊を整え、太さの階調で階層を作る","layout":"格子に厳密に載せ、左揃えとラグを保ち、余白を情報として使う","material":"画面でも紙でも同じ見えを狙い、色は最小限に抑える"},"avoid":"「中立」は設計思想であって事実ではない。無難の言い訳に使えば、伝えたい性格が消え、どの文書も同じ声になる。","colors":["#dcdcd9","#2b3b63","#121214"],"motif":"type","pair":["swiss","grotesque-sans"],"study":["Max Miedinger と Eduard Hoffmann","Adrian Frutiger, Univers","スイス・タイポグラフィ"],"en":{"essence":"The grotesque had its quirks removed and neutrality set in their place as the design goal. What came out became the voice of postwar rationalism and the global corporation.","cues":["Even, closed letterforms","Low contrast","Large x-height","A voice that performs neutrality"],"works":["Forms and wayfinding where the typeface itself should not draw attention","Large systems needing many weights and languages from one consistent family"],"recipe":{"type":"Track slightly tight, even the color, and build hierarchy from weight alone","layout":"Sit strictly on a grid, range left with a rag, treat space as information","material":"Aim for the same appearance on screen and paper, with minimal color"},"avoid":"Neutrality here is a design ideology, not a fact, and reaching for it as a safe default erases the character you meant to convey and leaves documents that all sound alike.","study":["Max Miedinger and Eduard Hoffmann","Adrian Frutiger, Univers","Swiss typography"]},"links":{"page":"https://indexstyle.org/styles/neo-grotesque-sans","json":"https://indexstyle.org/api/styles/neo-grotesque-sans","designSpec":"https://indexstyle.org/styles/neo-grotesque-sans/design.md","imagePrompt":"https://indexstyle.org/styles/neo-grotesque-sans/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}