{"id":"conceptual-art","no":150,"name":"Conceptual Art","ja":"コンセプチュアル・アート","era":"mid-1960s–1970s","family":"現代美術","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Conceptual Art","url":"https://www.moma.org/collection/terms/conceptual-art"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/conceptual-art","credit":"MoMA — Conceptual Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/One%20and%20Three%20Chair.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:One%20and%20Three%20Chair.jpg","credit":"コスース『1つと3つの椅子』展示（CC BY 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Joseph%20Kosuth%20-%20Neon%20(1965).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Joseph%20Kosuth%20-%20Neon%20(1965).jpg","credit":"コスース『ネオン』1965（CC BY-SA 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Joseph%20Kosuth%20Kunst.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Joseph%20Kosuth%20Kunst.JPG","credit":"コスースのネオン作品（CC BY-SA 4.0）"}]},"essence":"物としての完成度より、言葉、定義、規則、記録、配置によって提示されるアイデアそのものを作品の中心に置く。","cues":["言葉と定義","指示と規則","記録写真","脱物質化"],"intents":["反骨","信頼","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"長い説明文を置くだけにせず、何を作品と見なすかを構造・場所・観客との関係まで含めて変える。","colors":["#efede7","#898986","#1d1d1c"],"motif":"concept","pair":["fluxus","earthwork"],"study":["Joseph Kosuth","Sol LeWitt","Hanne Darboven","Lawrence Weiner"],"en":{"essence":"Centers the idea itself — words, definitions, rules, documentation, placement — above the finish of the object.","cues":["Words and definitions","Instructions and rules","Documentary photographs","Dematerialization"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Not just long wall texts. Change what counts as the work — structure, site and the audience relation included.","study":["Joseph Kosuth","Sol LeWitt","Hanne Darboven","Lawrence Weiner"]}}