Neo-Dada
ネオ・ダダ / 1953–1965 / Style / Postwar American Art
추상표현주의의 내면성에 맞서 일용품과 인쇄물, 박제를 화면으로 끌어들여 예술과 생활의 틈에서 만들고자 한 전후의 흐름. 다다의 손놀림을 이어받으면서 소비사회의 재료 자체를 구성 재료로 삼았다. 팝아트 직전의 분기점.
기성품을 화면으로 끌어들이기 / 인쇄물의 실크스크린 전사 / 회화와 입체의 중간 형태 / 지우고 겹치고 더럽힌 흔적
사전 항목
- 적합한 용도
- Record sleeves, zines and event graphics that need to look assembled out of the world rather than designed from nothing · Campaigns built from found print, where the receipts, newsprint and packaging keep their own history as part of the message
- 타이포그래피
- Mixed sizes and mixed faces from whatever was to hand, some stencilled, some torn out of existing print.
- 구성
- No grid: a horizontal collage in which one three-dimensional object breaks the picture plane and pulls the eye off axis.
- 재료
- Silkscreened newsprint over smeared paint, registration deliberately out, erasures left visible.
- 주의
- Arranging the found material tidily: Neo-Dada depends on objects keeping their own dirt and their own scale, and a neat collage of clean assets is only decoration.
- 더 읽을거리
- The definition of the Combine painting / Japan's Neo-Dadaism Organizers / Its proximity to Fluxus