Chicano Art
チカーノ・アート / 1965– / Style / Printmaking and Social Movements
멕시코계 미국인의 시민권 운동에서 태어난 표현. 벽화와 실크스크린 포스터, 로라이더, 레터링이 하나로 이어진 어휘를 이루고, 아스테카의 도상과 가톨릭 성상, 영어와 스페인어의 혼성 문자가 같은 화면에 놓인다. 운동이 양식을 만들어낸 실례.
벽화의 이야기적 구성 / 아스테카와 가톨릭 도상의 병치 / 두 언어가 섞인 레터링 / 실크스크린의 강한 색면
사전 항목
- 적합한 용도
- Organising and campaign graphics that have to belong to the people they address and be producible by them · Bilingual identity and signage in which code-switching is designed rather than reduced to a translated second line
- 타이포그래피
- Brush and blackletter-derived lettering drawn by hand, switching language mid-line without switching register.
- 구성
- A continuous mural band read left to right, the sacred figure held at the centre and the political detail worked into the edges.
- 재료
- Flat silkscreen colour on cheap paper, or exterior paint on a wall: both made in numbers and put up in public.
- 주의
- Lifting the lettering and the saints as decoration: the imagery belongs to a specific movement and community, and taken away from that it reads as costume.
- 더 읽을거리
- The posters of the United Farm Workers / The activity of Asco / Its connection to lowrider culture