{"id":"chicano-art","no":502,"name":"Chicano Art","ja":"チカーノ・アート","era":"1965–","family":"社会運動と版画","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Chicano art movement","url":"https://en.wikipedia.org/wiki/Chicano_art_movement"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Chicano_art_movement","credit":"Wikipedia — Chicano art movement","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Chicano%20Park%20Murals.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Chicano%20Park%20Murals.png","credit":"チカーノ・パークの壁画群（サンディエゴ）— Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Zapata%20mural%20at%20Chicano%20Park.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Zapata%20mural%20at%20Chicano%20Park.JPG","credit":"チカーノ・パークのサパタ壁画 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/National%20Chicano%20Moratorium%20March%20August%2029%2C%201970.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:National%20Chicano%20Moratorium%20March%20August%2029%2C%201970.jpg","credit":"チカーノ・モラトリアム行進 1970年8月29日 — Wikimedia Commons / CC BY 2.0"}]},"essence":"メキシコ系アメリカ人の公民権運動から生まれた表現。壁画、シルクスクリーンのポスター、ローライダー、レタリングが一続きの語彙をなし、アステカの図像とカトリックの聖像と英語・スペイン語の混成文字が同じ画面に置かれる。運動が様式を作った実例。","cues":["壁画の物語的構成","アステカとカトリックの図像の併置","二言語混成のレタリング","シルクスクリーンの強い色面"],"intents":["反骨","親密","高揚"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["mexican-muralism","atelier-populaire"],"study":["United Farm Workers のポスター","Asco の活動","ローライダー文化との接続"],"en":{"essence":"An expression born out of the Mexican American civil rights movement. Murals, silkscreened posters, lowriders and lettering form one continuous vocabulary, and Aztec imagery, Catholic devotional figures and mixed English-Spanish lettering share a single surface. A case in which a movement produced a style.","cues":["The narrative composition of the mural","Aztec and Catholic imagery placed side by side","Bilingual lettering","The strong flat colour of silkscreen"],"works":["Organising and campaign graphics that have to belong to the people they address and be producible by them","Bilingual identity and signage in which code-switching is designed rather than reduced to a translated second line"],"recipe":{"type":"Brush and blackletter-derived lettering drawn by hand, switching language mid-line without switching register.","layout":"A continuous mural band read left to right, the sacred figure held at the centre and the political detail worked into the edges.","material":"Flat silkscreen colour on cheap paper, or exterior paint on a wall: both made in numbers and put up in public."},"avoid":"Lifting the lettering and the saints as decoration: the imagery belongs to a specific movement and community, and taken away from that it reads as costume.","study":["The posters of the United Farm Workers","The activity of Asco","Its connection to lowrider culture"]}}