Hurufiyya
フルーフィーヤ / mid-20th century– / Estilo / Movimientos de arte moderno y contemporáneo
From the mid-twentieth century, Hurufiyya transformed Arabic words, fragments and individual letters into elements of modern painting, sculpture and graphic composition rather than reproducing traditional calligraphy. Letters move among meaning, bodily mark, cultural identity and abstract form.
Repeated single Arabic letters or partly unreadable fragments / Writing embedded in grids, spirals, color fields or figures / Hand pressure coexisting with modern abstract composition / Deliberate switching between legibility and pure form
Entrada del diccionario
- Usos idóneos
- Treating language, displacement and belonging as tension between readable text and abstraction · Using Arabic script as the structure that carries both meaning and form rather than as scenery
- Tipografía
- Verify the letter, word, dialect and writer, and state where reading ends and formal transformation begins.
- Composición
- Do not contain writing in a decorative strip; repeat or break it across the main structure of grid, field, body and void.
- Material
- Preserve resistance specific to ink, oil, paper or metal and do not substitute randomly rotated fonts for a physical hand.
- Precaución
- Arabic-looking signs used as exotic pattern erase both meaning and lineage. Distinguish the movement from traditional calligraphy and name maker, region, language and modern context.
- Para profundizar
- Mid-twentieth-century Arabic-letter modernisms / Letter form, identity and abstraction / Madiha Omar, Shakir Hassan Al Said and Dia al-Azzawi
Entradas relacionadas
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- Saqqakhaneh (サッカーハーネ派)Misma familia: Movimientos de arte moderno y contemporáneo.Comparar Hurufiyya y Saqqakhaneh
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