Guerrilla Television

ゲリラ・テレビジョン / late 1960s–1980s / 风格 / 实验电影

A media movement in which small collectives used portable video to oppose broadcast authority and one-way communication, recording demonstrations, communities, and institutions for rapid editing and alternative circulation. Low resolution, handheld access, feedback, direct titles, and multiple viewpoints became its language.

Low-resolution portable video, trails, clipping, and dropouts / Long handheld records embedded in events / Handwritten cards, coarse electronic type, and direct time or place labels / Split screens, feedback, and reshooting that dismantle broadcast images

Guerrilla Television — AI 生成的诠释图像 — AI 生成的诠释图像（并非参考作品）

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适用场景: Making viewpoint and production process visible in civic media；Composing several field records with electronic titles and transmission traces
字体: State place, time, and speaker with coarse electronic type or cards; never borrow a station identity to fake authority.
版面: Keep field footage primary and use split screen, reshooting, or feedback only to expose conflicting viewpoints.
材料: Retain portable-video resolution, location sound, and tape loss instead of applying one uniform malfunction filter.
注意: VHS noise alone does not create counter-media. Name the makers, community, circulation, and consent, and do not imitate real stations or emergency broadcasts.
延伸阅读: Raindance Corporation and Radical Software / TVTV, Ant Farm and portable video collectives / community media and counter-broadcast networks

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Direct Animation (ダイレクト・アニメーション)共同感受：Rebellion / Intimacy。
Visual Music (ヴィジュアル・ミュージック)共同感受：Technique。

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