{"id":"guerrilla-television","no":681,"name":"Guerrilla Television","ja":"ゲリラ・テレビジョン","sourceSlug":"guerrilla-television","era":"late 1960s–1980s","family":"実験映画","kind":"スタイル","essence":"携帯ビデオを手にした小規模な集団が、放送局の権威と一方向性へ対抗し、デモ、共同体、制度の内部を即時に記録・編集・上映したメディア運動。低解像度、現場の揺れ、フィードバック、手書きタイトル、複数視点を、代替ネットワークの言語にした。","cues":["携帯ビデオの低解像度、残像、白飛び、ドロップアウト","現場へ入り込む手持ち映像と長い連続記録","手書きカード、粗い電子文字、時刻や場所の直接表示","複数画面、フィードバック、再撮影で放送画面を解体する"],"intents":["反骨","親密","技術"],"pair":["video-synthesis","conceptual-art"],"study":["Raindance Corporation and Radical Software","TVTV, Ant Farm and portable video collectives","community media and counter-broadcast networks"],"works":["市民メディアや展示で、中央放送とは異なる視点と制作過程を可視化するとき","複数の現場記録を、粗い電子文字と再送信の痕跡ごと構成する映像"],"recipe":{"type":"場所、時刻、話者を粗い電子文字か手書きカードで即時に示し、テレビ局風ロゴで権威を偽装しない。","layout":"現場映像を主にし、必要な箇所だけ分割画面、再撮影、フィードバックで視点の衝突を見せる。","material":"低解像度の携帯ビデオ、現場音、磁気テープ由来の欠落を残し、現代の故障フィルターで均一化しない。"},"avoid":"VHSノイズを足すだけでは対抗的な制作・流通は生まれない。撮影者、共同体、配信先、同意を明らかにし、実在局の標章や緊急放送を誤認させない。","colors":["#15191B","#C6D6C5","#D5533F"],"motif":"video","collection":"Dictionary expansion 38","addedAt":"2026-08-23","source":{"title":"MoMA — Guerrilla Television","url":"https://www.moma.org/collection/terms/guerrilla-television"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/guerrilla-television","credit":"MoMA — Guerrilla Television"},"en":{"essence":"A media movement in which small collectives used portable video to oppose broadcast authority and one-way communication, recording demonstrations, communities, and institutions for rapid editing and alternative circulation. Low resolution, handheld access, feedback, direct titles, and multiple viewpoints became its language.","cues":["Low-resolution portable video, trails, clipping, and dropouts","Long handheld records embedded in events","Handwritten cards, coarse electronic type, and direct time or place labels","Split screens, feedback, and reshooting that dismantle broadcast images"],"works":["Making viewpoint and production process visible in civic media","Composing several field records with electronic titles and transmission traces"],"recipe":{"type":"State place, time, and speaker with coarse electronic type or cards; never borrow a station identity to fake authority.","layout":"Keep field footage primary and use split screen, reshooting, or feedback only to expose conflicting viewpoints.","material":"Retain portable-video resolution, location sound, and tape loss instead of applying one uniform malfunction filter."},"avoid":"VHS noise alone does not create counter-media. Name the makers, community, circulation, and consent, and do not imitate real stations or emergency broadcasts.","study":["Raindance Corporation and Radical Software","TVTV, Ant Farm and portable video collectives","community media and counter-broadcast networks"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}