Glasgow Style

グラスゴー・スタイル / c. 1890–1920 / 风格 / 世纪末艺术

19世纪末格拉斯哥形成的装饰艺术语言:修长人物、抽象玫瑰与直线框架结合。纵向比例和几何分区,使其成为可辨识的新艺术运动地方表达。

Glasgow Style — Margaret Macdonald — The May Queen (1900), photo: dalbera (Flickr) — Wikimedia Commons / CC BY 2.0
Margaret Macdonald — The May Queen (1900), photo: dalbera (Flickr) — Wikimedia Commons / CC BY 2.0 · CC BY 2.0
Glasgow Style — Margaret Macdonald — The Heart of the Rose — Wikimedia Commons / Public domain
Margaret Macdonald — The Heart of the Rose — Wikimedia Commons / Public domain原图尺寸较小 · 480 × 480 px

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视觉特征

  • 修长人物、茎与细线
  • 以线和面概括玫瑰及叶片
  • 绿色、紫色和淡粉色
  • 直线框架中局部出现植物曲线

适用场景

  • Giving books or exhibitions a turn-of-the-century decorative character through line and open space
  • Connecting interiors, furniture and print with tall proportions and abstract plant forms

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辞典词条

字体
Keep tall display lettering to short headings; give body text its own readable setting.
版面
Establish straight compartments, then place a slender figure or plant in one of them and leave space around it.
材料
Use paper tones, muted green and purple, and dark timber; repeat a small curved accent sparingly.
注意
Do not copy a single rose motif and call it Mackintosh style. Distinguish the Four's individual practices from commercial imitation, and exchange with Vienna from identity with the Secession.
延伸阅读
The Four — Charles Rennie Mackintosh, Herbert MacNair, Margaret and Frances Macdonald / Margaret Macdonald — The May Queen / Glasgow School of Art and Talwin Morris's book design

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