Art Nouveau vs Glasgow Style
アール・ヌーヴォー / グラスゴー・スタイル
Art Nouveau comes from Historical Styles and Glasgow Style from Fin de Siècle Art. They are reached for with some of the same intent, which is where they get confused.
Art Nouveau
Joins letters, figures and ornament into one flowing, plant-like line.
Glasgow Style
A decorative-art language developed around Glasgow at the turn of the twentieth century. Elongated figures, stems and abstract roses meet linear frames and restrained fields of colour. It belongs to Art Nouveau's regional history, but its tall proportions and geometric divisions distinguish it from a general vocabulary of flowing plants.
| Art Nouveau | Glasgow Style | |
|---|---|---|
| Era | 1890s–1910s | c. 1890–1920 |
| Family | Historical Styles | Fin de Siècle Art |
| Kind | Style | Style |
| Cues | Botanical curves / Ornamental frames / Female figures / Muted natural colors | Attenuated figures, stems and fine vertical lines / Roses and heart-shaped leaves reduced to lines and planes / Green, purple and pale pink against light grounds or dark contours / Straight frames and grids interrupted by small plant curves |
| Best used for | Speaking of craft and handwork · Leading with beauty and narrative | Giving books or exhibitions a turn-of-the-century decorative character through line and open space · Connecting interiors, furniture and print with tall proportions and abstract plant forms |
| Type | Curvilinear serifs or hand lettering | Keep tall display lettering to short headings; give body text its own readable setting. |
| Composition | Vertical formats, frame compositions, a central figure | Establish straight compartments, then place a slender figure or plant in one of them and leave space around it. |
| Material | Dusty greens and gold, line work, paper texture | Use paper tones, muted green and purple, and dark timber; repeat a small curved accent sparingly. |
| Caution | Stock vine ornaments stay superficial. Carry the line through the whole composition. | Do not copy a single rose motif and call it Mackintosh style. Distinguish the Four's individual practices from commercial imitation, and exchange with Vienna from identity with the Secession. |


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