Pixilation

ピクシレーション / 1910s– / Technique / Animation Techniques

Pixilation treats live actors as stop-motion figures, photographing one held pose at a time. It turns walking into gliding and makes impossible movement or substitution while keeping real bodies and real places on screen.

People gliding without stepping / Rigid body movement jumping between staged poses / People or objects appearing, disappearing or exchanging in one frame / Real streets and rooms where only gravity and time become discontinuous

Pixilation — AI-generated interpretation
AI-generated interpretation, not a reference work

Dictionary entry

Best used for
Creating flight, gliding or teleportation in a short or advertisement using performers and a real location · Turning bodily stiffness into comedy, unease or conflict rhythm in music and performance films
Type
If type moves, let performers reposition it one frame at a time and match its travel interval to the interval between poses.
Composition
Lock the camera and mark each travel path on the floor. Set hold length and displacement before shooting and preserve background continuity.
Material
Hold the actor for every exposure and record contact point, pose and clothing movement. Swap objects at identical position and light.
Caution
Low-frame-rate live action and frame dropping are not pixilation. The performer must take a discrete pose for each frame and physically reconstruct spatial relations.
Further study
Norman McLaren and Neighbours / Live actors as stop-motion subjects / Pose intervals, holds and substitution

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