Concrete Art

コンクリート・アート / 1930s–1960s / Style / Geometric Abstraction

A movement constructing autonomous compositions only from line, plane, color, and proportion rather than abstracting nature or narrative. It suppresses chance and brushwork in favor of measurable relations and clear color fields across painting, print, object, and graphic design.

Circles, rectangles, and lines placed by measurable ratios / Hard color boundaries without expressive brushwork / Flat relations without perspective or natural outlines / Variation produced from a small palette and repeated unit

Concrete Art — AI-generated interpretation
AI-generated interpretation, not a reference work

Dictionary entry

Best used for
Building identity from proportion and color rather than imagery · Extending one geometric rule across painting, signage, and objects
Type
Use a neutral geometric sans and place type width and size on the same numerical series as the forms.
Composition
Set the unit and ratios first, lock forms to a grid, and keep every position numerically reproducible.
Material
Use opaque color and a smooth support, masking boundaries to suppress accidental bleed and gesture.
Caution
Geometric shapes arranged by feel do not yet form concrete relations. Keep Neo-Concrete bodily participation and soft transformation as a distinct response.
Further study
Theo van Doesburg's 1930 manifesto / Max Bill and concrete art / Brazilian Arte Concreta and Neo-Concrete response

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