Concrete Art

コンクリート・アート / 1930s–1960s / Stil / Geometrische Abstraktion

A movement constructing autonomous compositions only from line, plane, color, and proportion rather than abstracting nature or narrative. It suppresses chance and brushwork in favor of measurable relations and clear color fields across painting, print, object, and graphic design.

Circles, rectangles, and lines placed by measurable ratios / Hard color boundaries without expressive brushwork / Flat relations without perspective or natural outlines / Variation produced from a small palette and repeated unit

Concrete Art — KI-generierte Interpretation
KI-generierte Interpretation, kein Referenzwerk

Wörterbucheintrag

Geeignet für
Building identity from proportion and color rather than imagery · Extending one geometric rule across painting, signage, and objects
Typografie
Use a neutral geometric sans and place type width and size on the same numerical series as the forms.
Komposition
Set the unit and ratios first, lock forms to a grid, and keep every position numerically reproducible.
Material
Use opaque color and a smooth support, masking boundaries to suppress accidental bleed and gesture.
Zu vermeiden
Geometric shapes arranged by feel do not yet form concrete relations. Keep Neo-Concrete bodily participation and soft transformation as a distinct response.
Zum Weiterlesen
Theo van Doesburg's 1930 manifesto / Max Bill and concrete art / Brazilian Arte Concreta and Neo-Concrete response

Verwandte Einträge

Mehr aus Geometrische Abstraktion

Weitere Stile aus Geometrische Abstraktion, nach gemeinsamen Wirkungen geordnet.

Alle Einträge aus Geometrische Abstraktion ansehen

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