Aeropittura

アエロピットゥーラ / 1929–1939 / Style / Italian Avant-garde

宣告要把飞机上的视点作为绘画之条件的意大利未来主义后期展开。俯冲的透视、卷成漩涡的云、翻转的地表,把速度与高度的感觉固定在画面上。这是把视点的高度变成样式的罕见例子。

俯冲式的透视法 / 卷成漩涡的云与大气 / 翻转与旋转的地表 / 令人联想到金属光泽的设色

Fillia によるアエロピットゥーラ 1932 — Wikimedia Commons / CC BY-SA 4.0

辞典词条

适用场景
Aviation, aerospace and mobility work where the brief is the sensation of flight rather than the machine that produces it;Title sequences and transitions built on a diving, rolling camera, for which this painting is effectively a storyboard
字体
Italic capitals following the arc of the dive, tracked wider as they recede.
版面
A horizon tilted well past forty-five degrees, the ground curving away and the vanishing point pushed outside the frame.
材料
Metallic and pearlescent finishes, or gradients keyed to chrome and cloud, so the surface shifts as the viewer moves.
注意
Simply photographing a landscape from above: the style is not the aerial view but the body's disorientation within it, which requires the horizon to be taken away.
延伸阅读
The manifesto of Aeropittura of 1929 / The question of its distance from the regime / Its relation to aerial photography

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