New Objectivity Photography

新即物主義写真 / 1920s–1930s / Style / Photography Movements

감상에서 물러나 사람과 사물의 구조를 차갑게 기록한다: 선명한 초점, 정면성, 유형학.

선명한 초점 / 정면성 / 반복과 유형 / 재질의 디테일

사전 항목

적합한 용도: Comparing historical works and their conditions · Deciding which principles survive translation to today's media
타이포그래피: Observe the type and composition of reference works
구성: Extract the one principle that steers the eye
재료: Verify the technique's own materials, process and support
주의: Don't take the claim of objectivity at face value. Read the bias in the typology and the photographer's gaze.
더 읽을거리: August Sander / Albert Renger-Patzsch / Aenne Biermann