{"id":"new-objectivity-photography","no":113,"name":"New Objectivity Photography","ja":"新即物主義写真","era":"1920s–1930s","family":"写真運動","kind":"スタイル","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"MoMA — August Sander","url":"https://www.moma.org/artists/5145-august-sander"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/artists/5145-august-sander","credit":"MoMA — August Sander","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Blossfeldt%20-%20Thorned%20bulbous%20plant%2C%2084.XM.142.5.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Blossfeldt%20-%20Thorned%20bulbous%20plant%2C%2084.XM.142.5.jpg","credit":"ブロスフェルトの植物写真"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Albert%20Renger-Patzsch%20Eisen%20und%20Stahl%20Einband%201931.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Albert%20Renger-Patzsch%20Eisen%20und%20Stahl%20Einband%201931.jpg","credit":"レンガー＝パッチュ『鉄と鋼』装丁 1931"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Plantstudie%20Urformen%20der%20Kunst%20(serietitel)%2C%20RP-F-2008-51-2170-99.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Plantstudie%20Urformen%20der%20Kunst%20(serietitel)%2C%20RP-F-2008-51-2170-99.jpg","credit":"ブロスフェルト『芸術の原形』1928より"}]},"essence":"感傷的な演出から距離を置き、鋭い焦点、正面性、類型化によって人や物の構造を冷静に記録する。","cues":["鋭い焦点","正面性","反復と類型","物質の細部"],"intents":["信頼","技術","静けさ"],"works":["歴史的な作例と成立条件を比較する","現代の媒体へ移す際に残す原理を見極める"],"recipe":{"type":"参照作品の文字と画面構成を観察する","layout":"視線を導く主要原理を一つ抽出する","material":"技法固有の素材・工程・支持体を確認する"},"avoid":"“客観的”という自己像をそのまま信じず、分類や撮影者の視点が生む偏りも読む。","colors":["#e5e2da","#81817d","#242423"],"motif":"photo","pair":["precisionism","swiss"],"study":["August Sander","Albert Renger-Patzsch","Aenne Biermann"],"en":{"essence":"Steps back from sentiment and records the structure of people and things coolly: sharp focus, frontality, typology.","cues":["Sharp focus","Frontality","Repetition and types","Material detail"],"works":["Comparing historical works and their conditions","Deciding which principles survive translation to today's media"],"recipe":{"type":"Observe the type and composition of reference works","layout":"Extract the one principle that steers the eye","material":"Verify the technique's own materials, process and support"},"avoid":"Don't take the claim of objectivity at face value. Read the bias in the typology and the photographer's gaze.","study":["August Sander","Albert Renger-Patzsch","Aenne Biermann"]}}