Funk Art
ファンク・アート / 1960s–1970s / Style / Postwar American Art
샌프란시스코 베이 에어리어에서 좋은 취향과 추상의 권위를 일부러 더럽힌 도자와 입체의 운동. 천박한 색, 신체적인 유머, 공예 재료의 의도적인 오용이 미술의 위계 자체를 비웃는다. 거칢을 전략으로 쓰는 설계의 선례.
요란한 유약의 색 / 신체적이고 저속한 모티프 / 공예 재료의 의도적인 오용 / 손맛의 거칢을 남긴 마무리
사전 항목
- 적합한 용도
- Merchandise, ceramics and product ranges for brands that would rather be funny and physical than tasteful, in food, drink and nightlife · Art direction for youth and counterculture work, where an aggressively unrefined finish signals independence from corporate polish
- 타이포그래피
- Lettering pushed by hand, slumped, uneven, glazed on or modelled in, never a cleanly typeset line.
- 구성
- One lumpen object shot frontally and filling the frame, with nothing composed around it.
- 재료
- Bright running glazes over visible clay, with drips, thumbprints and firing accidents kept rather than corrected.
- 주의
- Making the roughness neat: a controlled imperfection reads as one more kind of taste, and the joke, which is aimed at taste, stops working.
- 더 읽을거리
- The 1967 Funk exhibition in Berkeley / The change in the standing of ceramics / Its relation to the West Coast counterculture