{"id":"funk-art","no":490,"name":"Funk Art","ja":"ファンク・アート","era":"1960s–1970s","family":"戦後アメリカ美術","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Funk Art","url":"https://en.wikipedia.org/wiki/Funk_art"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Funk_art","credit":"Wikipedia — Funk Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/George%20Moscone%20by%20Robert%20Arneson.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:George%20Moscone%20by%20Robert%20Arneson.jpg","credit":"Robert Arneson《ジョージ・モスコーニ像》— Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/George%20Moscone%20bust.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:George%20Moscone%20bust.jpg","credit":"Robert Arneson《ジョージ・モスコーニ胸像》— Wikimedia Commons / CC BY 2.0"}]},"essence":"サンフランシスコ湾岸で、良い趣味と抽象の権威をわざと汚した陶と立体の運動。下品な色、身体的なユーモア、工芸材料の意図的な誤用が、美術の階層そのものを笑う。粗さを戦略として使う設計の先例。","cues":["けばけばしい釉薬の色","身体的で下世話なモチーフ","工芸材料の意図的な誤用","手作りの粗さを残す仕上げ"],"intents":["遊び","反骨","高揚"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["lowbrow","neo-dada"],"study":["1967年バークレーのFunk展","陶芸の地位の転換","西海岸の対抗文化との関係"],"en":{"essence":"A movement in ceramics and sculpture around the San Francisco Bay Area that deliberately soiled good taste and the authority of abstraction alike. Garish colour, bodily humour and the wilful misuse of craft materials laugh at the hierarchy of art itself. An early precedent for treating coarseness as a strategy.","cues":["Garish glaze colours","Bodily, off-colour motifs","Craft materials deliberately misused","Finishes that keep their handmade roughness"],"works":["Merchandise, ceramics and product ranges for brands that would rather be funny and physical than tasteful, in food, drink and nightlife","Art direction for youth and counterculture work, where an aggressively unrefined finish signals independence from corporate polish"],"recipe":{"type":"Lettering pushed by hand, slumped, uneven, glazed on or modelled in, never a cleanly typeset line.","layout":"One lumpen object shot frontally and filling the frame, with nothing composed around it.","material":"Bright running glazes over visible clay, with drips, thumbprints and firing accidents kept rather than corrected."},"avoid":"Making the roughness neat: a controlled imperfection reads as one more kind of taste, and the joke, which is aimed at taste, stops working.","study":["The 1967 Funk exhibition in Berkeley","The change in the standing of ceramics","Its relation to the West Coast counterculture"]}}