{"id":"funk-art","no":449,"name":"Funk Art","ja":"ファンク・アート","era":"1960s–1970s","family":"戦後アメリカ美術","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Funk Art","url":"https://en.wikipedia.org/wiki/Funk_art"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Funk_art","credit":"Wikipedia — Funk Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/George%20Moscone%20by%20Robert%20Arneson.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:George%20Moscone%20by%20Robert%20Arneson.jpg","credit":"Robert Arneson《ジョージ・モスコーニ像》— Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Merfrog%20Family%20fountain.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Merfrog%20Family%20fountain.jpg","credit":"デイヴィッド・ギルフーリー《Merfrog Family》噴水 1978 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"サンフランシスコ湾岸で、良い趣味と抽象の権威をわざと汚した陶と立体の運動。下品な色、身体的なユーモア、工芸材料の意図的な誤用が、美術の階層そのものを笑う。粗さを戦略として使う設計の先例。","cues":["けばけばしい釉薬の色","身体的で下世話なモチーフ","工芸材料の意図的な誤用","手作りの粗さを残す仕上げ"],"intents":["遊び","反骨","高揚"],"works":["小規模な陶や雑貨の販売会で、上品さを外して笑いを前に出したいとき","地下的な音楽や演劇の告知で、悪趣味を承知で強度を取りたいとき"],"recipe":{"type":"手書きの不揃いな文字を、傾いたまま直さずに使う","layout":"塊のような一点を正面から画面いっぱいに置き、周囲には何も構成しない","material":"けばけばしい釉薬を厚く垂らし、指の跡や窯の事故を消さない"},"avoid":"下品さだけを狙って粗く作ると、工芸材料を承知で誤用するという土台が抜け、単に雑な仕上がりとしか見られない。","colors":["#e6e0c8","#85ab7a","#15120a"],"motif":"graphic","pair":["lowbrow","neo-dada"],"study":["1967年バークレーのFunk展","陶芸の地位の転換","西海岸の対抗文化との関係"],"en":{"essence":"A movement in ceramics and sculpture around the San Francisco Bay Area that deliberately soiled good taste and the authority of abstraction alike. Garish colour, bodily humour and the wilful misuse of craft materials laugh at the hierarchy of art itself. An early precedent for treating coarseness as a strategy.","cues":["Garish glaze colours","Bodily, off-colour motifs","Craft materials deliberately misused","Finishes that keep their handmade roughness"],"works":["Merchandise, ceramics and product ranges for brands that would rather be funny and physical than tasteful, in food, drink and nightlife","Art direction for youth and counterculture work, where an aggressively unrefined finish signals independence from corporate polish"],"recipe":{"type":"Hand-pushed uneven lettering, left slumped and never cleanly typeset","layout":"One lumpen object shot frontally, filling the frame, with nothing composed around it","material":"Bright running glazes over bare clay, with drips, thumbprints and firing accidents kept"},"avoid":"Aiming only at vulgarity and making it rough removes the base, which is the knowing misuse of craft materials, and the result reads as merely careless.","study":["The 1967 Funk exhibition in Berkeley","The change in the standing of ceramics","Its relation to the West Coast counterculture"]},"links":{"page":"https://indexstyle.org/styles/funk-art","json":"https://indexstyle.org/api/styles/funk-art","designSpec":"https://indexstyle.org/styles/funk-art/design.md","imagePrompt":"https://indexstyle.org/styles/funk-art/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}