Nihonga
日本画 / 1880s– / Style / East Asian Painting
面对西洋画的涌入，从岩彩、胶、和纸与绢这些材料一侧重新定义「日本的绘画」的近代框架。其特征是以材料为先的折衷，守住传统技法，同时把题材与构图现代化。
岩彩的颗粒与发色 / 以胶层层叠起的画层 / 绢本与纸本地色之白 / 轮廓线与平面性的保持
辞典词条
- 适用场景
- Showing the physical presence of the material as strongly as the subject；Handling modern composition with traditional materials
- 字体
- Let the relation between the seal and the void set the center of gravity.
- 版面
- Leave the void generous and push the subject to one side.
- 材料
- Choose the grain size of the mineral pigment and build layers with glue.
- 注意
- Do not confuse it with Japanese styling. The substance of this framework is the choice of material and technique.
- 延伸阅读
- The roles of Fenollosa and Okakura Tenshin / The definition of the medium as mineral pigment and glue / Its formation as the counter concept to yōga