{"id":"technicolor","no":202,"name":"Technicolor","ja":"テクニカラー","era":"1922–1950s","family":"映画技術","kind":"技法","collection":"Dictionary expansion 10","addedAt":"2026-08-18","source":{"title":"George Eastman Museum — Technicolor","url":"https://www.eastman.org/technicolor"},"reference":{"status":"verified","pageUrl":"https://www.eastman.org/technicolor","credit":"George Eastman Museum — Technicolor","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Anna%20Wong-The%20Toll%20of%20the%20Sea-1922.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Anna%20Wong-The%20Toll%20of%20the%20Sea-1922.jpg","credit":"『The Toll of the Sea』アンナ・メイ・ウォン 1922"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Lobby%20card%20Toll%20of%20the%20Sea%20(1922).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Lobby%20card%20Toll%20of%20the%20Sea%20(1922).jpg","credit":"『The Toll of the Sea』ロビーカード 1922"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/3-strip%20Technicolor%20camera.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:3-strip%20Technicolor%20camera.jpg","credit":"3ストリップ・テクニカラーカメラ（CC BY 2.0）"}]},"essence":"分解ネガと染料転写で映画に飽和した色を持ち込んだ発色方式で、「現実より鮮やかな色」を映画の記憶として定着させた。","cues":["飽和した三原色","染料転写の深み","色彩監修","夢と現実の色分け"],"intents":["高揚","懐かしさ","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"archive","pair":["film-noir","psychedelic"],"study":["ナタリー・カルマス（色彩監修）","『オズの魔法使』の色の切替","染料転写プリントの保存性"],"en":{"essence":"Brought saturated color to cinema by separation negatives and dye transfer, fixing 'color more vivid than reality' in film memory.","cues":["Saturated primaries","Dye-transfer depth","Color supervision","Color-coding dream and reality"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Natalie Kalmus, color supervisor","the color switch of The Wizard of Oz","the permanence of dye-transfer prints"]}}