Monotype
モノタイプ / 17th century–present / Technique / Print Expression
Ink or paint is added to or removed from a smooth plate, then transferred to paper. Brushwork, wiped highlights and interrupted edges combine in a largely unique impression. Residual ink can yield a paler ghost print; this differs from repeatedly printing a fixed matrix image.

At a glance
Visual cues
- Marks added or wiped on the plate
- Broken contours and broad tones
- Brushwork combined with transfer texture
- Fainter residual ghost impressions
Best used for
- Exhibitions and teaching that compare Monotype with neighbouring print techniques
- Publications studying lines, tones and paper through documented works
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Dictionary entry
- Type
- Keep lettering in the work separate from added labels; place medium, artist and date outside the image.
- Composition
- Test added marks and wiped highlights separately, checking reversal after transfer.
- Material
- Check the collection medium record and the paper and ink; do not infer materials from screen colour alone.
- Caution
- Not every one-off print is a monotype. Distinguish a smooth painted plate from a fixed matrix varied as a monoprint.
- Further study
- Edgar Degas — monotypes / Additive and subtractive plate work / Ghost impressions
Related entries
- Lithography (石版画/リトグラフ)Shared effects: Intimacy.Compare Monotype and Lithography
- Collagraph (コラグラフ)Same Print Expression lineage.Compare Monotype and Collagraph
More from Print Expression
Continue through styles in the same Print Expression family, prioritised by shared effects.
- Lenticular Printing (レンチキュラー印刷)Shared effects: Play.
- Chine Collé (シン・コレ)Shared effects: Intimacy.
- Halftone (ハーフトーン(網点))
Browse all Print Expression entries
Cite this entry
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- Link
- https://indexstyle.org/styles/monotype
- Markdown
- [Monotype — IndexStyle](https://indexstyle.org/styles/monotype)
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- <a href="https://indexstyle.org/styles/monotype">Monotype — IndexStyle</a>