Linocut

リノカット / 1890s– / Technique / Relief Printing

Cuts the smooth block boldly, giving few colors and repeated figures a driving rhythm.

Linocut — Ethel Spowers, Wet Afternoon, 1930 — Wikimedia Commons / Public domain
Ethel Spowers, Wet Afternoon, 1930 — Wikimedia Commons / Public domain
Linocut — Ethel Spowers, Swings, 1932 — Wikimedia Commons / Public domain
Ethel Spowers, Swings, 1932 — Wikimedia Commons / Public domain
Linocut — Cyril Power, The Tube Train, c.1934 — Wikimedia Commons / Public domain
Cyril Power, The Tube Train, c.1934 — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Large cut planes
  • Overlapping color blocks
  • Simplified figures
  • Repeating movement

Best used for

  • Showing crowds and daily motion as rhythm
  • A friendly hand-printed feel in few colors

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Dictionary entry

Type
Letters sturdy enough to hold against the shapes; one color per block
Composition
Repeat forms with aligned motion; change the current in one place
Material
Two to five color blocks, broad cut planes, the paper's ground
Caution
The difference from woodcut is not mere roughness. Use linoleum's smooth curves and planes.
Further study
Ethel Spowers / Claude Flight / Grosvenor School

Related entries

Often confused with

More from Relief Printing

Continue through styles in the same Relief Printing family, prioritised by shared effects.

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Cite this entry

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Link
https://indexstyle.org/styles/linocut
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[Linocut — IndexStyle](https://indexstyle.org/styles/linocut)
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<a href="https://indexstyle.org/styles/linocut">Linocut — IndexStyle</a>

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