Group of Seven

グループ・オブ・セヴン / 1920–1933 / Style / Landscape Painting

A Canadian group that simplified northern trees, exposed rock, lakes, and clouds into broad contours and non-natural color, enlarging fast outdoor oil sketches into national landscape statements.

Group of Seven — J. E. H. MacDonald, The Solemn Land, 1921 — National Gallery of Canada — Wikimedia Commons / Public domain
J. E. H. MacDonald, The Solemn Land, 1921 — National Gallery of Canada — Wikimedia Commons / Public domain
Group of Seven — AI-generated interpretation 1
AI-generated interpretation, not a reference work
Group of Seven — AI-generated interpretation 2
AI-generated interpretation, not a reference work

At a glance

Visual cues

  • Wind-bent trees and exposed rock
  • Blue-green, violet, and orange simplified into large shapes
  • High viewpoints layering lake, island, and distance
  • Small-study brushwork enlarged onto exhibition canvases

Best used for

  • Organizing lake, rock, and forest into strong color and contour
  • Examining national landscape imagery through both its attraction and its exclusions

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Dictionary entry

Type
Use a concise serif for place and season without bending letters along the landscape.
Composition
Weight one side with a foreground tree, then stack lake, island, mountain, and cloud in depth.
Material
Place thick blue-green, violet, and orange oil paint as clear masses, prioritizing rock and canopy over detail.
Caution
Do not repeat the myth of untouched wilderness. Make Indigenous land and nation-building visible, and simplify contour more strongly than the Hudson River School.
Further study
Lawren Harris, A. Y. Jackson and J. E. H. MacDonald / Tom Thomson and Algonquin Park / Canadian nationalism and Indigenous land

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https://indexstyle.org/styles/group-of-seven
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[Group of Seven — IndexStyle](https://indexstyle.org/styles/group-of-seven)
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