Cymatics

サイマティクス / 1787– / Technique / Diagrammatic Expression

The experiment of seeing sound as a pattern in matter, beginning with the Chladni figures that sand draws on a vibrating plate. Each frequency brings out its own geometry, which makes this the oldest device for witnessing how sound and form correspond.

Cymatics — Pattern on a Chladni plate (CC BY-SA 4.0) · © Exhibit made by Estes Objethos Atelier, photo by Rodrigo Tetsuo Argenton
Pattern on a Chladni plate (CC BY-SA 4.0) · CC BY-SA 4.0 · © Exhibit made by Estes Objethos Atelier, photo by Rodrigo Tetsuo Argenton
Cymatics — Chladni figures at another frequency — Wikimedia Commons / CC BY-SA 4.0 · © Exhibit made by Estes Objethos Atelier, photo by Rodrigo Tetsuo Argenton
Chladni figures at another frequency — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0 · © Exhibit made by Estes Objethos Atelier, photo by Rodrigo Tetsuo Argenton
Cymatics — クラドニ図形(高次モード)— Wikimedia Commons / CC BY-SA 4.0 · © Exhibit made by Estes Objethos Atelier, photo by Rodrigo Tetsuo Argenton
クラドニ図形(高次モード)— Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0 · © Exhibit made by Estes Objethos Atelier, photo by Rodrigo Tetsuo Argenton

At a glance

Visual cues

  • Chladni figures
  • Standing waves in sand and powder
  • A pattern for every frequency
  • The directness of the apparatus

Best used for

  • Building an exhibit of sound where the apparatus is part of the show
  • Letting people grasp the link between frequency and form by experience

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Dictionary entry

Type
Fine dry powder, spread as a single thin layer on the plate
Composition
Center the clamped point, view from where symmetry appears
Material
An even metal plate or membrane, raking light to raise pattern
Caution
Sweeping the frequency for a good looking video never lets a figure settle, and the central claim about sound and form fails to land.
Further study
Chladni's experiments of 1787 / Hans Jenny's coinage / contemporary sound-visualization artists

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