Ultraísmo

ウルトライスモ / 1918–1925 / Layout / Experimental Typography

스페인어권에서 비유를 압축하고 장식을 버린 시를 내건 아방가르드. 잡지 지면에서는 활자가 비스듬히 달리고 목판의 추상이 끼어들며, 시 자체가 도판처럼 조판되었다. 이베리아와 남아메리카를 오간 최초기의 실험 타이포그래피.

비스듬히 흐르는 활자와 여백 / 목판으로 새긴 추상 삽화 / 비유를 압축한 짧은 행 / 잡지라는 발표 형식

사전 항목

적합한 용도: Small-press literary and cultural magazines where setting the text as an image is the whole editorial position · Type-led posters and covers that need energy without recourse to illustration or photography
타이포그래피: Wood and metal display type mixed on one page, with lines set at competing angles.
구성: The page composed as a plate: the poem's own lines form the structure, white space is an element, and no column grid survives.
재료: Letterpress on cheap magazine stock, with a woodcut block dropped straight into the text area.
주의: Angling type as a flourish over a conventional column: the angle came from setting language as an image, and without that reason it is styling only.
더 읽을거리: The pages of the magazines Ultra and Grecia / Borges's early activity / Its divergence from Creacionismo