Lithography vs Plakatstil / Sachplakat
石版画/リトグラフ / プラカートシュティール/即物ポスター
Lithography comes from Planographic Printing and Plakatstil / Sachplakat from Advertising Posters. One is technique and the other style. They are reached for with some of the same intent, which is where they get confused.
Lithography
Uses the repulsion of oil and water to reproduce crayon and tusche drawing from stone or plate, keeping all the softness of the hand.
Plakatstil / Sachplakat
Cuts advertising down to the product and its name, delivering meaning at a glance from across the street.
| Lithography | Plakatstil / Sachplakat | |
|---|---|---|
| Era | 1796– | 1900s–1910s |
| Family | Planographic Printing | Advertising Posters |
| Kind | Technique | Style |
| Cues | Greasy crayon / Stone or metal plate / Painterly tone / Multicolor overprinting | A single product image / Bold contours / Flat color / A short brand name |
| Best used for | Limited editions and art books that must keep the touch of crayon and charcoal · Large posters that need rich tone from a small number of colors | Outdoor advertising that fixes one product in memory · Betting everything on a single feature |
| Type | Draw the lettering onto the stone by hand instead of setting type | A short, heavy hand-drawn headline |
| Composition | Split areas and lines between plates, planning for colors to overprint | One large product, one line of name, a solid ground |
| Material | Greasy crayon or tusche on stone, tone held by oil against water | Two to four colors, shadowless imagery, clean contours |
| Caution | Pencil texture is not it, and neglecting density control crushes the tone into a merely blurred image. Learn how oil against water, the stone, damping, the roller and overprinted plates shape line and color. | Simplification is not omission. Choose the one thing to keep from what makes the product itself. |
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