FSA Documentary vs WPA Poster
FSAドキュメンタリー / WPAポスター
FSA Documentary comes from Photography Movements and WPA Poster from Public Design. Both are read here as style. They are reached for with some of the same intent, which is where they get confused.
FSA Documentary
The documentary program of Depression-era America's Farm Security Administration. Lange's Migrant Mother and 270,000 archived negatives defined the public role of documentary.
WPA Poster
Carries a public purpose broadly and forcefully through simple imagery and few printed colors.
| FSA Documentary | WPA Poster | |
|---|---|---|
| Era | 1935–1944 | 1935–1943 |
| Family | Photography Movements | Public Design |
| Kind | Style | Style |
| Cues | Portraits preserving dignity / Living conditions described / The archive as state project / Field information in captions | Simplified landscapes / Bold sans-serifs / Screenprint color / A clear call to action |
| Best used for | Program records for agencies and foundations that keep their subjects' dignity · Long-term community documentation built so it can be searched later | Inviting participation in community, culture and public services · One-glance positive action for many people |
| Type | Log place, date and situation in a fixed form, never opinion | Heavy geometric sans in short imperatives |
| Composition | Always pair a portrait with the setting that person lives in | One symbolic place or figure, large; information confined to top and bottom |
| Material | Monochrome throughout, camera height matched to the subject | Three to five flat colors, the paper's own tone, simple shading |
| Caution | Emphasizing the look of hardship becomes the quick route to sympathy, and what was meant as a record turns the people in it into a spectacle. | Don't borrow only the nostalgia. Be clear about who is being asked to do what, publicly. |

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