Soviet Montage
ソビエト・モンタージュ / 1924–1930s / Technique / Cinematic Visual Styles
从对立镜头的碰撞中生成意义的剪辑理论——意义不在画面之中，而在画面与画面之间。
相互碰撞的镜头 / 有节奏的剪接 / 群像对特写 / 插入的象征镜头
辞典词条
- 适用场景
- Comparing primary sources and canonical works；Extracting principles that transfer to other media
- 字体
- Observe the letters, signs and scale of reference works
- 版面
- Extract the one structure that governs gaze and information
- 材料
- Verify the materials and behaviors specific to era, region and process
- 注意
- Don't reduce it to surface signs. Verify the context of era, region, technology and makers.
- 延伸阅读
- Sergei Eisenstein / the Kuleshov effect / Dziga Vertov, Man with a Movie Camera