Tachisme

タシスム / 1945–1960 / Style / Postwar Abstract Painting

A European abstraction named for the tache, or stain, which gives the leading role to the chance of a brushmark and a drip. Planned composition is abandoned, and the speed at which paint lands and runs becomes the order of the surface. Within Art Informel this is the name that fixes on the swiftness of the gesture.

Tachisme — Hans Hartung, T46-17, 1946 — Wikimedia Commons / CC BY 2.0 · © Pedro Ribeiro Simões from Lisboa, Portugal
Hans Hartung, T46-17, 1946 — Wikimedia Commons / CC BY 2.0 · CC BY 2.0 · © Pedro Ribeiro Simões from Lisboa, Portugal

At a glance

Visual cues

  • Accumulations of stains and drips
  • Marks of rapid gesture
  • Arrangements without a centre
  • Contrast with reserves of white ground

Best used for

  • Posters for improvised music or dance that put the speed of the performance on the page
  • Title pages and identity systems carrying speed through one authentic ink splash

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Dictionary entry

Type
One quiet grotesque, small and stable, set against the moving marks
Composition
Off-centre clusters of gesture surrounded by generous white; no grid, only momentum
Material
Fluid ink and thinned paint that stains, drips and splashes on a white ground
Caution
Avoid retouching or composing the splash after the fact—corrected gestures lose the recorded speed that is the style's entire content.
Further study
The overlap in terminology with Art Informel / Gesture as a record of time / The debate comparing it with calligraphy

Related entries

Often confused with

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https://indexstyle.org/styles/tachisme
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[Tachisme — IndexStyle](https://indexstyle.org/styles/tachisme)
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