Surrealism

シュルレアリスム / 1924–1950s / Style / Avant-garde

The movement that forced reality's objects into impossible meetings under the logic of dream and the unconscious. Dépaysement spread from painting into photography, film and advertising as the grammar of impossible adjacency.

Surrealism — Max Ernst, Habakuk, Düsseldorf — Wikimedia Commons / CC BY-SA 3.0 · © Hans Peter Schaefer
Max Ernst, Habakuk, Düsseldorf — Wikimedia Commons / CC BY-SA 3.0 · CC BY-SA 3.0 · © Hans Peter Schaefer
Surrealism — Max Ernst, Assistant, Frog, Turtle, 1967 — Wikimedia Commons / CC BY-SA 3.0 · © Photo: Rufus46 Sculpture: Max Ernst
Max Ernst, Assistant, Frog, Turtle, 1967 — Wikimedia Commons / CC BY-SA 3.0 · CC BY-SA 3.0 · © Photo: Rufus46 Sculpture: Max Ernst
Surrealism — Max Ernst《ハバクク》— Wikimedia Commons / CC BY-SA 3.0 · © Photo: Hans Peter Schaefer ( Hps-poll at de.wikipedia ) http://www.reserva-rt.de Sculpture: Max Ernst
Max Ernst《ハバクク》— Wikimedia Commons / CC BY-SA 3.0 · CC BY-SA 3.0 · © Photo: Hans Peter Schaefer ( Hps-poll at de.wikipedia ) http://www.reserva-rt.de Sculpture: Max Ernst

At a glance

Visual cues

  • Dépaysement
  • Dream perspective
  • Objects transformed
  • Precision serving absurdity

Best used for

  • Advertising and covers that make the viewer demand an explanation instantly
  • Carrying the visual side of a story about dream and the unconscious

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Dictionary entry

Type
No explanatory copy, only a quiet title outside the frame
Composition
Hold one horizon and displace objects out of their true scale
Material
Realist rendering and smooth finish, so technique carries the strangeness
Caution
Multiplying strange combinations dilutes each individual shock, and the result is merely a decorative photomontage.
Further study
Breton's manifestos / Magritte and advertising's mutual seepage / surrealist photography and the rediscovery of Atget

Related entries

Often confused with

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Continue through styles in the same Avant-garde family, prioritised by shared effects.

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