Shōjo Manga
少女漫画 / 1950s– / Style / Illustration Styles
A field that built its own grammar for translating psychology into space. Panels are broken open, flowers and stars scatter across the background, and the inner voice runs out into the margins. The large eyes and the overlaid panels are devices for drawing the flow of feeling rather than the flow of time.
Figures and panels that cross the frame / Flowers and light streaming through the background / Eyes drawn large and worked in detail / Monologue spilling into the margins
Dictionary entry
- Best used for
- Drawing the flow of feeling in space rather than in time · Letting inner monologue share the page with the image
- Type
- Let hand lettering and monologue run into the white space outside the panels.
- Composition
- Overlap panels and place figures breaking through the frame lines.
- Material
- Make light by layering screentone and cutting out white.
- Caution
- Borrowing the eyes and the flowers ends in mere signs. The structure of the panels is what carries the emotion.
- Further study
- The renewal of the 1970s by the Year 24 Group / The invention of overlapping panels / How its grammar differs from shōnen manga