Photogravure

フォトグラヴュール / 19th century–present / Technique / Intaglio Printing

A photomechanical intaglio method that transfers a photographic image to a plate and prints it in ink. Fine detail and apparently continuous tones acquire the character of paper and ink. It is distinct from a silver photograph, planographic collotype and the industrial context of rotary gravure.

Photogravure — Alfred Stieglitz, Kitty Stieglitz, Central Park, New York, 1901 — photogravure, Metropolitan Museum of Art — Wikimedia Commons / CC0
Alfred Stieglitz, Kitty Stieglitz, Central Park, New York, 1901 — photogravure, Metropolitan Museum of Art — Wikimedia Commons / CC0 · CC0

At a glance

Visual cues

  • Photographically derived detail
  • Rich printing-ink blacks
  • Fine grain carrying tonal changes
  • Plate image in relation to paper

Best used for

  • Exhibitions and teaching that compare Photogravure with neighbouring print techniques
  • Publications studying lines, tones and paper through documented works

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Dictionary entry

Type
Keep lettering in the work separate from added labels; place medium, artist and date outside the image.
Composition
Compare blacks, midtones and highlights so that dark areas retain useful detail.
Material
Check the collection medium record and the paper and ink; do not infer materials from screen colour alone.
Caution
A sepia palette or plate border alone proves nothing. Check the recorded printing process and distinguish later reproductions.
Further study
Alfred Stieglitz — photogravures / Photographic image transferred to intaglio / MoMA — Bourgeois photogravures

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https://indexstyle.org/styles/photogravure
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