Panorama

パノラマ館 / 1787–1900s / Style / Exhibition Design

A giant painting covering the entire inner wall of a rotunda placed the audience at the center of the landscape. Lighting and real objects in the foreground erased the edge of the picture, and this 19th-century immersion machine became the summit of mass visual entertainment before cinema.

Panorama — Panorama Mesdag 1881 (CC BY-SA 4.0) · © Donarreiskoffer
Panorama Mesdag 1881 (CC BY-SA 4.0) · CC BY-SA 4.0 · © Donarreiskoffer
Panorama — Viewing platform of the Panorama Mesdag (CC BY-SA 4.0) · © Steven Lek
Viewing platform of the Panorama Mesdag (CC BY-SA 4.0) · CC BY-SA 4.0 · © Steven Lek
Panorama — Bourbaki Panorama (Lucerne), central viewing platform — Wikimedia Commons / CC BY-SA 4.0 · © MHM55
Bourbaki Panorama (Lucerne), central viewing platform — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0 · © MHM55

At a glance

Visual cues

  • A 360-degree painting
  • The central viewing platform
  • Foregrounds that erase the boundary
  • Controlled natural light

Best used for

  • Standing an audience inside a landscape to experience one scene all around
  • Letting the scale of a historical event register through width of view

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Dictionary entry

Type
No lettering inside, splitting text between an entrance intro and exit panel
Composition
A central platform, the view cropped above and below by canopy and rail
Material
Real objects joined to the cylindrical painting, light entering indirectly above
Caution
Painting the full circle without resolving seams and eye height lets the viewer catch the picture somewhere, and the immersion breaks for good.
Further study
Robert Barker's 1787 patent / Mesdag's The Hague / its return in immersive digital exhibitions

Related entries

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