Modernist Exhibition Design
モダニズム展示デザイン / 1920s–1940s / Style / Exhibition Design
The modernist movement that designed the exhibition as printed matter you walk through. Lissitzky's dynamic installations and Bayer's extended field of vision invented display as an information space that edits the visitor's path and gaze.



At a glance
Visual cues
- Choreographed circulation
- Tilted panels
- Photography at giant scale
- Compositions wrapping the field of view
Best used for
- Letting the walking order carry the argument in a document heavy exhibition
- Building a persuasive display led by photographs and diagrams
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Dictionary entry
- Type
- Headlines scaled to the wall, body text only where visitors stop
- Composition
- Tilt panels and use floor and ceiling to wrap the field of view
- Material
- Enlarged photographs, temporary metal or mesh frames, movable panels
- Caution
- Borrowing tilted panels and giant photographs without fixing the order of movement breaks the argument, and the show ends as a busy room.
- Further study
- El Lissitzky's Pressa, 1928 / Herbert Bayer's field-of-vision diagrams / Lilly Reich's material displays
Related entries
- Constructivism (構成主義)Shared effects: Exhilaration.Compare Modernist Exhibition Design and Constructivism
- Bauhaus (バウハウス)Shared effects: Trust.Compare Modernist Exhibition Design and Bauhaus
More from Exhibition Design
Continue through styles in the same Exhibition Design family, prioritised by shared effects.
- White Cube (ホワイトキューブ)Shared effects: Trust.
- Wunderkammer (驚異の部屋)Shared effects: Exhilaration.
- Salon Hang (サロン掛け)Shared effects: Exhilaration.
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- https://indexstyle.org/styles/exhibition-modernism
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