Modernist Exhibition Design

モダニズム展示デザイン / 1920s–1940s / Style / Exhibition Design

The modernist movement that designed the exhibition as printed matter you walk through. Lissitzky's dynamic installations and Bayer's extended field of vision invented display as an information space that edits the visitor's path and gaze.

Modernist Exhibition Design — AI-generated interpretation 1
AI-generated interpretation, not a reference work
Modernist Exhibition Design — AI-generated interpretation 2
AI-generated interpretation, not a reference work
Modernist Exhibition Design — AI-generated interpretation 3
AI-generated interpretation, not a reference work

At a glance

Visual cues

  • Choreographed circulation
  • Tilted panels
  • Photography at giant scale
  • Compositions wrapping the field of view

Best used for

  • Letting the walking order carry the argument in a document heavy exhibition
  • Building a persuasive display led by photographs and diagrams

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Detailed guidance and sourcesProduction rules, reference works, comparisons, research and citation formats

Dictionary entry

Type
Headlines scaled to the wall, body text only where visitors stop
Composition
Tilt panels and use floor and ceiling to wrap the field of view
Material
Enlarged photographs, temporary metal or mesh frames, movable panels
Caution
Borrowing tilted panels and giant photographs without fixing the order of movement breaks the argument, and the show ends as a busy room.
Further study
El Lissitzky's Pressa, 1928 / Herbert Bayer's field-of-vision diagrams / Lilly Reich's material displays

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