Beggarstaff Style

ベガースタッフ・スタイル / 1894–1899 / Style / Advertising Posters

Nicholson and Pryde's cut-paper poster style: contours dropped, subjects summarized in flat shapes of few colors. Commercially unsuccessful in its day, its radical economy anticipated the 20th-century poster.

Beggarstaff Style — Beggarstaff Brothers, Don Quixote poster 1895 — Wikimedia Commons / Public domain
Beggarstaff Brothers, Don Quixote poster 1895 — Wikimedia Commons / Public domain
Beggarstaff Style — Harper's Magazine poster 1895 — Wikimedia Commons / Public domain
Harper's Magazine poster 1895 — Wikimedia Commons / Public domain
Beggarstaff Style — Beggarstaff Brothers, Hamlet poster — Wikimedia Commons / Public domain
Beggarstaff Brothers, Hamlet poster — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Flat cut-paper shapes
  • Omitted contours
  • Large fields of few colors
  • Boldness that looked unfinished

Best used for

  • Posters and shop signage that must register instantly from a distance
  • Book jackets and marks needing one strong silhouette in very few colors

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Dictionary entry

Type
Cut the letters from paper too, treating them as shapes not type
Composition
Let the subject fill half the sheet and set margins by trimming
Material
Scissors on colored paper, shifting pieces until the shape count drops
Caution
Adding outlines back to explain the shape kills the tension the omission created and leaves an ordinary illustration that merely uses few colors.
Further study
William Nicholson / James Pryde / its influence on the Sachplakat

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