Compose two styles
Rather than blending two styles into a middle, this assigns them roles: one carries the structure, the other appears as an accent. Where the two fight, it says so before you start.
How to divide the work
- Composition
- Follow New Objectivity Photography: Frontal, level, centered, with the same background every time
- Type
- Set in New Objectivity Photography's manner (No headlines, only the subject name and conditions in one fixed format), and let Swiss's lettering (Neutral sans-serif; be bold with size contrast) appear only where you want the eye to catch.
- Material
- Ground in New Objectivity Photography's material (Deep depth of field, even overcast light, fine grained printing); bring in exactly one thing from Swiss (White space and objective photographs; almost no ornament).
- Colour
- Build on #e5e2da, #81817d, #242423 and admit one accent from #f1efe8, #ed3b22, #121210.
Where they fight
These two are already listed as related, so the join should come easily.
Caution
- New Objectivity Photography One frame is no typology, and without matched conditions it ends as a pile of expressionless pictures. Do not trust the pose of objectivity, and read the bias that classification and viewpoint produce.
- Swiss Too much tidiness turns anonymous. Keep one strong jump in scale.
Image prompt
An original image that takes its structure from New Objectivity Photography (Style, 1920s–1930s) and its accent from Swiss (Style, 1950s–). Structural cues: Sharp focus; Frontality; Repetition and types; Material detail. Accent cues, used sparingly: Strict grid; Sans-serif type; Asymmetry; Objective photography. Composition: Frontal, level, centered, with the same background every time. Type and lettering: No headlines, only the subject name and conditions in one fixed format. Let one material quality come from the second style: White space and objective photographs; almost no ornament. Mood: Trust, Technology, Calm. Color: build on #e5e2da, #81817d, #242423 with a single accent drawn from #f1efe8, #ed3b22, #121210. Constraints: do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. Produce an original composition in the general period languages described above.
Related entries
- New Objectivity Photography 1920s–1930s / Style / Photography Movements
Steps back from sentiment and records the structure of people and things coolly: sharp focus, frontality, typology.
- Swiss 1950s– / Style / Functionalism
Puts order front and center and makes the information itself the protagonist.
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