Compose styles
Rather than blending styles toward a middle, this gives them roles. The first one carries the structure, the next comes in as the accent, and anything after that shows up in a single detail. Where they fight each other, it says so before you start.
How to divide the work
- Composition
- Follow Naïve: Avoid strict perspective; lay things out flat
- Type
- Set in Naïve's manner (Handwriting, homely serifs), and let Swiss's lettering (Neutral sans-serif; be bold with size contrast) appear only where you want the eye to catch.
- Material
- Ground in Naïve's material (Crayon, paint, paper, slightly muddied color); bring in exactly one thing from Swiss (White space and objective photographs; almost no ornament).
- Colour
- Build on #eadfbd, #d85e45, #557553 and admit one accent from #f1efe8, #ed3b22, #121210.
Where they fight
These are already listed as related entries, so the join should come easily.
Caution
- Naïve Not an act of deliberate badness. Draw your own line from close observation.
- Swiss Too much tidiness turns anonymous. Keep one strong jump in scale.
Image prompt
Produce four original images that take their structure from Naïve (style, timeless) and their accent from Swiss (style, 1950s–). ## What to make Make the kind of thing Naïve exists for: honoring a personal gaze and touch, or closeness for food, region and education. Choose one subject and hold it across all four. ## Structure comes from Naïve - Uneven lines - Flattened perspective - Simple color - Hand-drawn letters Composition: Avoid strict perspective; lay things out flat. Type and lettering: Handwriting, homely serifs. ## Accent comes from Swiss, used sparingly - Strict grid - Sans-serif type - Asymmetry - Objective photography Let one material quality come from it: White space and objective photographs; almost no ornament. ## Colour and feeling Build the ground on #eadfbd, carry the structure in #d85e45 and #557553, and let a single accent come from #ed3b22. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: intimacy, play, calm, trust. ## What goes wrong - Naïve: Not an act of deliberate badness. Draw your own line from close observation. - Swiss: Too much tidiness turns anonymous. Keep one strong jump in scale. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.
Related entries
- Naïve timeless / Style / Illustration Styles
Steps away from the norms of skill, making plain observation and imbalance the charm.
- Swiss 1950s– / Style / Functionalism
Puts order front and center and makes the information itself the protagonist.
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