Compose styles
Rather than blending styles toward a middle, this gives them roles. The first one carries the structure, the next comes in as the accent, and anything after that shows up in a single detail. Where they fight each other, it says so before you start.
How to divide the work
- Composition
- Follow Ex Libris (Bookplate): One scene in a small upright field, lettering pushed to top or foot
- Type
- Set in Ex Libris (Bookplate)'s manner (The formula and name in fixed places, weight matched to the image), and let Heraldry's lettering (Motto lettering sits outside the arms, never on the shield itself) appear only where you want the eye to catch.
- Material
- Ground in Ex Libris (Bookplate)'s material (Fine intaglio or wood engraving, printed in a single color); bring in exactly one thing from Heraldry (Metals and a short list of colors, color never laid on color).
- Colour
- Build on #efdab0, #38487b, #1a1512 and admit one accent from #e1d7d3, #d5971f, #1d1b1d.
Where they fight
- Ex Libris (Bookplate) and Heraldry stand roughly 300 years apart. Keep one of them recognisably period rather than letting both drift into the middle.
Caution
- Ex Libris (Bookplate) Packing in favorite imagery leaves the lines clogged and unreadable once the plate is seen at the size it is actually pasted.
- Heraldry Choosing tinctures by eye breaks the rule about metal on color, and the result can no longer be described as arms at all.
Image prompt
Produce four original images that take their structure from Ex Libris (Bookplate) (style, 15th century–) and their accent from Heraldry (style, 12th century–). ## What to make Make the kind of thing Ex Libris (Bookplate) exists for: small prints bearing an owner's name, pasted into limited editions, or A personal device made for the single recipient of a gift book. Choose one subject and hold it across all four. ## Structure comes from Ex Libris (Bookplate) - The EX LIBRIS formula - Heraldry and allegory - Precise miniature engraving - The owner's self-image Composition: One scene in a small upright field, lettering pushed to top or foot. Type and lettering: The formula and name in fixed places, weight matched to the image. ## Accent comes from Heraldry, used sparingly - Limited tincture colors - The grammar of shield divisions - Describability in blazon - Stylized animal poses Let one material quality come from it: Metals and a short list of colors, color never laid on color. ## Colour and feeling Build the ground on #efdab0, carry the structure in #38487b and #1a1512, and let a single accent come from #d5971f. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: luxury, intimacy, nostalgia, trust. ## Where they fight - Ex Libris (Bookplate) and Heraldry stand roughly 300 years apart. Keep one of them recognisably period rather than letting both drift into the middle. ## What goes wrong - Ex Libris (Bookplate): Packing in favorite imagery leaves the lines clogged and unreadable once the plate is seen at the size it is actually pasted. - Heraldry: Choosing tinctures by eye breaks the rule about metal on color, and the result can no longer be described as arms at all. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.
Related entries
- Ex Libris (Bookplate) 15th century– / Style / Publishing and Editing
A small print of ownership pasted to a book's endpaper. Since Dürer, engravers have cut heraldry, allegory and the collector's own exact self-image into a few centimeters, making a private graphic where book culture meets printmaking.
- Heraldry 12th century– / Style / Symbol Systems
Europe's armorial system, born from the need to tell one man from another on the battlefield. Exact description in the language of blazon, the rule of a limited set of tinctures and a grammar of division and combination add up to a design system that has run for 800 years.
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