Compose styles

Rather than blending styles toward a middle, this gives them roles. The first one carries the structure, the next comes in as the accent, and anything after that shows up in a single detail. Where they fight each other, it says so before you start.

How to divide the work

Composition
Follow Estridentismo: Drive cables and pylons across one diagonal, set text blocks square against it, leave no margin
Type
Set in Estridentismo's manner (Heavy grotesque mixed with woodletter, the angle changing line by line), and let Mexican Muralism's lettering (Keep lettering inside banners and flags, painted with the same brush as the image) appear only where you want the eye to catch.
Material
Ground in Estridentismo's material (Two inks, black and red, on coarse paper, the woodcut's white bite left in the line); bring in exactly one thing from Mexican Muralism (Fresco on lime plaster with earth pigments, the wall texture left visible).
Colour
Build on #f1c917, #2766b4, #29231a and admit one accent from #d7b77a, #9d3e2e, #35584b.

Where they fight

These are already listed as related entries, so the join should come easily.

Caution

  • Estridentismo Tilting a modern layout slightly is not it, and without the post revolutionary city as subject it copies Futurism. The angle works only when the letters are cut and the register is rough.
  • Mexican Muralism Borrowing crowds and raised fists without deciding whose history is told and for whom yields a large decorative wall with no argument.

Image prompt

Produce four original images that take their structure from Estridentismo (style, 1921–1927) and their accent from Mexican Muralism (style, 1920s–1940s). ## What to make Make the kind of thing Estridentismo exists for: festivals or radio projects in a city that want the lift of waves and machines up front, or printing short run manifestos and handbills fast with nothing but woodcut and type. Choose one subject and hold it across all four. ## Structure comes from Estridentismo - Sharp woodcut lines - Type set on the diagonal - Imagery of cables, aerials and machinery - The hard contrast of two-colour printing Composition: Drive cables and pylons across one diagonal, set text blocks square against it, leave no margin. Type and lettering: Heavy grotesque mixed with woodletter, the angle changing line by line. ## Accent comes from Mexican Muralism, used sparingly - Monumental murals - Crowds of figures - Political narrative - Public space Let one material quality come from it: Fresco on lime plaster with earth pigments, the wall texture left visible. ## Colour and feeling Build the ground on #f1c917, carry the structure in #2766b4 and #29231a, and let a single accent come from #9d3e2e. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: exhilaration, futurity, rebellion, trust. ## What goes wrong - Estridentismo: Tilting a modern layout slightly is not it, and without the post revolutionary city as subject it copies Futurism. The angle works only when the letters are cut and the register is rough. - Mexican Muralism: Borrowing crowds and raised fists without deciding whose history is told and for whom yields a large decorative wall with no argument. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.

Related entries

  • Estridentismo 1921–1927 / Style / Avant-garde

    A Mexican avant-garde that shouted its praise of the post-revolutionary city, of radio waves and machines. Sharp woodcut lines, type running on the diagonal and imagery of cables and aerials erupted over a few years through magazines and handbills. The moment Latin American vanguardism found a speed of its own.

  • Mexican Muralism 1920s–1940s / Style / Mural Traditions

    Paints post-revolutionary history, labor, indigenous culture and visions of the future onto the vast walls of public buildings.

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