Compose two styles
Rather than blending two styles into a middle, this assigns them roles: one carries the structure, the other appears as an accent. Where the two fight, it says so before you start.
How to divide the work
- Composition
- Follow Constructivism: Collide photography and type along a diagonal spine
- Type
- Set in Constructivism's manner (Heavy condensed type in capitals), and let Italian Futurism's lettering (Treat differing weights, widths and angles as volume) appear only where you want the eye to catch.
- Material
- Ground in Constructivism's material (Coarse halftones, cut-out photos, three colors only); bring in exactly one thing from Italian Futurism (Black and off-white with one warning color).
- Colour
- Build on #e8ddc7, #d8251d, #11100e and admit one accent from #eee4ce, #20201e, #d44531.
Where they fight
- Both belong to Avant-garde, so the difference is small. Push the roles further apart than feels comfortable.
Caution
- Constructivism Carries strong propaganda associations. Check the ethics of context and message.
- Italian Futurism Never split the movement's innovation from its embrace of war and Fascism; handle it critically.
Image prompt
An original image that takes its structure from Constructivism (Style, 1910s–1930s) and its accent from Italian Futurism (Style, 1909–1940s). Structural cues: Red, black and white; Diagonal axis; Photomontage; Imperative lettering. Accent cues, used sparingly: Words-in-freedom; Radiating type; Onomatopoeia; Extreme jumps in scale. Composition: Collide photography and type along a diagonal spine. Type and lettering: Heavy condensed type in capitals. Let one material quality come from the second style: Black and off-white with one warning color. Mood: Rebellion, Exhilaration, Futurism. Color: build on #e8ddc7, #d8251d, #11100e with a single accent drawn from #eee4ce, #20201e, #d44531. Constraints: do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. Produce an original composition in the general period languages described above.
Related entries
- Constructivism 1910s–1930s / Style / Avant-garde
Turns a message into motion with diagonals and hard contrast.
- Italian Futurism 1909–1940s / Style / Avant-garde
Converts speed, noise and shock into the size and trajectory of letters, setting the quiet page in motion.
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