Compose two styles

Rather than blending two styles into a middle, this assigns them roles: one carries the structure, the other appears as an accent. Where the two fight, it says so before you start.

How to divide the work

Composition
Follow Bauhaus: Treat shapes and letters as the same building blocks
Type
Set in Bauhaus's manner (Geometric sans-serif), and let Bauhaus Stage's lettering (Geometric sans only, sized by the ratio of circle to square) appear only where you want the eye to catch.
Material
Ground in Bauhaus's material (Red, blue and yellow held together by black and off-white); bring in exactly one thing from Bauhaus Stage (Spheres, cones and cylinders in primary color and metallic sheen).
Colour
Build on #eee7d4, #df2c22, #153f8c and admit one accent from #e9e6dd, #67635d, #171615.

Where they fight

These two are already listed as related, so the join should come easily.

Caution

  • Bauhaus Scattered shapes read as childish. Give every element a job.
  • Bauhaus Stage Gluing spheres and cones onto a costume without choreographing the body as a moving form leaves only a geometric fancy dress party.

Image prompt

An original image that takes its structure from Bauhaus (Style, 1919–1933) and its accent from Bauhaus Stage (Style, 1921–1929). Structural cues: Elementary shapes; Primary colors; Functional beauty; Visible structure. Accent cues, used sparingly: Geometrized bodies; Costumes of spheres and cones; Three acts by color; Choreography as spatial figure. Composition: Treat shapes and letters as the same building blocks. Type and lettering: Geometric sans-serif. Let one material quality come from the second style: Spheres, cones and cylinders in primary color and metallic sheen. Mood: Trust, Play, Futurism, Technology. Color: build on #eee7d4, #df2c22, #153f8c with a single accent drawn from #e9e6dd, #67635d, #171615. Constraints: do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. Produce an original composition in the general period languages described above.

Related entries

  • Bauhaus 1919–1933 / Style / Functionalism

    Makes function and play coexist through the circle, triangle and square.

  • Bauhaus Stage 1921–1929 / Style / Stage Design

    Schlemmer's stage workshop turned the body into geometry. Spheres and cones in the Triadic Ballet costumes set the human figure dancing as a form in space, and performance art traces its origin to them.

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