Compose two styles
Rather than blending two styles into a middle, this assigns them roles: one carries the structure, the other appears as an accent. Where the two fight, it says so before you start.
How to divide the work
- Composition
- Follow Azulejo: Set the tile grid first, compose so breaks fall on the joints
- Type
- Set in Azulejo's manner (Fire the inscription in the same blue and frame it into the wall), and let Delftware's lettering (Keep marks small on the underside and leave the face to painting) appear only where you want the eye to catch.
- Material
- Ground in Azulejo's material (Cobalt blue on white glaze, judged with the gloss reflection included); bring in exactly one thing from Delftware (Cobalt on white tin glaze, painted in one pass with no correction).
- Colour
- Build on #e9e6dd, #67635d, #171615 and admit one accent from #e9e6dd, #67635d, #171615.
Where they fight
- Roughly 1585 years apart. Keep one of them recognisably period rather than letting both drift into the middle.
Caution
- Azulejo Laying a large picture out without regard for the joints misaligns grid and drawing, and the wall looks like a printed sheet pasted on.
- Delftware Aiming to pass as real porcelain turns the thick earthenware body and the speed of the brush from virtues into faults.
Image prompt
An original image that takes its structure from Azulejo (Style, 15th century–) and its accent from Delftware (Style, 1600s–). Structural cues: Blue-and-white tile; Narrative panels wall-high; Repeating pattern; One body with the building. Accent cues, used sparingly: Painting in blue alone; White tin-glaze ground; Eastern motifs translated; From tiles to tableware. Composition: Set the tile grid first, compose so breaks fall on the joints. Type and lettering: Fire the inscription in the same blue and frame it into the wall. Let one material quality come from the second style: Cobalt on white tin glaze, painted in one pass with no correction. Mood: Calm, Luxury, Nostalgia. Color: build on #e9e6dd, #67635d, #171615 with a single accent drawn from #e9e6dd, #67635d, #171615. Constraints: do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. Produce an original composition in the general period languages described above.
Related entries
- Azulejo 15th century– / Style / Ornament
Portugal's blue-and-white tile works as the skin of architecture, opening story, map and ornament onto the street until the city itself can be read as a printed plate.
- Delftware 1600s– / Style / Ceramic Styles
Longing for Chinese porcelain, Delft produced tin-glazed pottery of its own. Windmills, ships and Eastern scenes painted in blue alone fixed 'blue and white' as a Western language of table and room, chinoiserie put into practice.
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